Here the tenor of musical patterns is a fact, but where is this fact concrete? How is it verifiable?
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| Rudolf Bauer – Great Fugue, 1929 |
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- Carter Kaplan
- Carter Kaplan is the author of The Invisible Tower Trilogy: Echoes, We Reign Secure, and The Sky-Shaped Sarcophagus. His first novel is Tally-Ho, Cornelius! Diogenes is an Aristophanic comedy. Editor of Emanations; IA edition of The Scarlet Letter with Afterword, "A" is for Antinomian: Theology and Politics in The Scarlet Letter; the anthology Fantasy Worlds. Co-translator and editor of Creation of the World by Torquato Tasso. Book on Wittgenstein and literary theory: Critical Synoptics. Articles on “Karel Čapek,” “Menippean Satire” and “Dystopian Literature” in The Encyclopedia of Literature and Politics. Articles on "Herman Melville" and "Michael Butterworth" in A Dictionary of the Avant-Gardes (which has an article about him). A chapter on William Blake and Michael Moorcock appears in New Boundaries in Political Science Fiction. Teaching includes Literature, Philosophy, and post-graduate Medical Research Writing in universities ranging across Montana, North Dakota, Ohio, West Virginia, Pennsylvania, New Jersey, New York City, and Scotland.
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Creation of the World by Torquato Tasso
Critical Synoptics: Menippean Satire and the Analysis of Intellectual Mythology
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1 comment:
Sound consists of “material” wave vibrations of air. It’s existence is perceived by our auditory system, similarly to like any other sensorial perception, even though it is not visible and not touchable. It perceived by the auditory system. Light on the other hand is visible, but NOT material, though it is an acceptable indication that what you see is factual. Light origins are “non-material”, namely electro-magnetic waves. As counter-intuitive as it is.
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