Tuesday, June 2, 2020

Highbrow Hiatus
















 





To facilitate editorial work on Emanations, I am going to take a short break here.  Stay focused on what matters: being kind to people, creativity and true love. Please click HERE for further Highbrow advice.

Monday, June 1, 2020

Do they come in grape?

Bob Ritter, "Flight by Deep Freeze", Galaxy (1961)






















On the return trip, but only if you're good.

Saturday, May 30, 2020

Wittgenstein's troubles with doubting he had never visited the moon...

"Why is it not possible for me to doubt that I have never been on the moon? And how could I try to doubt it?" (Wittgenstein, On Certainty §117)

Thursday, May 28, 2020

Monday, May 25, 2020

Monorail Span

Retro-futurist art by Klaus Bürgle






















    
       Monorail Span
    
Where from, and where to?
From the cityscape
Into the cityscape
Repeat
Repeat across the same span
Repeat a different escape
Again

Saturday, May 23, 2020

Emanations 8 editing continues...

I am reading submissions and corresponding with writers and artists. The fiction section is nearly settled. Poetry, essays and visual sections come next. 

Thursday, May 21, 2020

The Burning Ship Fractal












Please click HERE for additional images and discussion.

Wednesday, May 20, 2020

Saturday, May 16, 2020

Vitasta Raina on "Dashavataar and the Theory of Evolution"

 Animal Avataars with Deep Blue/ Night Sky Background
 
Vitasta Raina is working on a series of paintings that compare the Dashavataar (the ten avataars of Vishnu)  with the Darwinian theory of human evolution. She writes:
Though one might be taken a bit aback with this association at first glance, when thought over, it quickly becomes apparent as to why this idea is not as dramatic or absurd as it first may have seemed. In fact, this is a very popular discourse and several people have already theorized on this sufficiently.
Please click HERE to view the paintings and to learn more about the project. 
 

Friday, May 15, 2020

Back to Emanations 8






















I am reading submissions and sending responses to writers and artists.

I hope to have the file for the book put together and formatted by the end of the month, and then it will take two weeks of editing and finalizing graphics, and then five or six weeks to go through the process of finalizing the cover and producing the book. With a bit of luck, the project could be completed by the beginning of July.

Tuesday, May 12, 2020

Monday, May 11, 2020

Philip K. Dick and the Technocrats

Philip K. Dick has done interesting work anticipating the advent of billionaires possessing technological tools so powerful that they easily circumvent and displace traditional models of governance. 

Do Androids Dream of Electric Sheep? is rather a philosophical inquiry into the character of empathy and its place in our understanding of human nature. 
Bladerunner, the film based on this novel, integrates Dick's theme of high-tech billionaires, but in the novel the technocrats are secondary to the philosophical theme.
 

 
Dr. Eldon Tyrell in Bladerunner






















It is one of Dick's most important novels but in regard to the theme of monolithic technocracy, these two novels come to mind first:

The Three Stigmata of Palmer Eldritch  
In the novel, drugs are the tools used by two rival technocrats to control the shape of human identity and human history.  The drugs are so powerful that they can be compared to possible future virtual-reality technologies that are supported by artificial intelligence.

 


 


















The Penultimate Truth
There are two themes in this novel that could compare to our contemporary situation: 1) In the novel, ecological devastation following a nuclear war requires isolating human beings below ground in subterranean cities (called "ant tanks").  The environmental threat, however, is exaggerated to control the population, which brings us to the second point of possible comparison:  2) The elitist control of news and media is total.  The super-rich manipulate their propaganda to keep the Earth's population underground.





















 
Artist's statement: "Nicholas St. James emerges from his ant tank, the 'Tom Mix'; he is immediately spotted by two leadies, which are coming to get him."
Source.