Ready for Takeoff

Israfel, fourth stanza

Notwithstanding the triumphant comparison Poe makes in the final lines, the fourth stanza remains my favorite in the poem, as it is the clearest elucidation of the poetic and intellectual principles that the author aspires to both experience and express:

But the skies that angel trod,
   Where deep thoughts are a duty,  
Where Love’s a grown-up God,
   Where the Houri glances are  
Imbued with all the beauty
   Which we worship in a star. 

Stanza four begins as a controversion to the thesis of the third stanza, which is the assertion by the choir of stars and other "listening things" that Israfel's poetic power--Poe calls it "fire"--is due to the musical quality of the angel's song. To the contrary, Poe explains in stanza four that the merits of Israfel's articulations are attributes of a realm--a "sky" as he calls it--of another sort: rather produced by the intellectual character of the angle's utterances, which are initially characterized as combining rigor of thought with the notion of "duty" (see Ray Monk's Wittgenstein: The Duty of Genius, passim). Then attributing an adult psychic-sensual activity to this stratospheric realm, the poem resolves upon the true object of beauty, which can be construed, first, in the image of gazing Houri--beautiful, alluring and voluptuous love nymphs of the Koranic paradise--and, second, with the purely formless attractions that we "worship in a star."

The star is a stock romantic image with (obviously) celestial associations, but, examined more closely, the word itself conveys a tangible and significant quality that might as well be called "kabbalistic depth." Unbridled by the physical laws of this universe and yet an object within it, removed physically by hundreds of millions of miles of intransversable space that separates it almost completely from the authority of hermeneutic explanation and the constructions of civil convention, yet remaining impossibly visible as a point of relatively "eternal" light--the star is the sign of a realm beyond our own, dazzling even in its minute form, a flaring pin-point shining through from some distant and, we wonder, brighter reality.

Read the poem in its entirety by clicking HERE.

Discorporate Bonanza Utility Hotline now Available 24/7

Dante Was a Fantasy Writer in Italian High Schools

I am happy to post the following picture of Dario Rivarossa presenting his book Dante era uno scrittore fantasy (Dante was a Fantasy Writer) to a group of 15-18 year-old students at a secondary school specializing in classical studies in Todi, a small Medieval town in the province of Umbria in central Italy.  

The English version of Dante era uno scrittore fantasy can be purchased through Amazon in paper (HERE) or for Kindle (HERE).

Congratulations, Dario!

Thou Shalt Not Spank Me, Daddy

International Authors on Kindle

Several International Authors productions are now available on Kindle.

First is Horace Jeffery Hodges' novella, The Bottomless Bottle of Beer.  Professor Hodge's novella (with illustrations by Terrance Lindall) originally appeared in Emanations: Second Sight.  In revising the tale for Kindle, Professor Hodges made several changes, and in responding to my request for a description of these changes he advised me they were modest:

1) Correction of errors: mine, yours, Terrance's (i.e., editorial errors rectified)

2) Clarification of allusions (e.g., to Melville, Balzac)

3) Expansion of a couple of transitional passages (for better continuity)

4) Separation of text and illustrations (due to Kindle's inability to handle both together)

I should add that the Kindle version contains many additional illustrations that were not in the Emanations version.  Of note is Mr. Lindall's illustration of the courtroom scene. On the floor is a copy of Emanations in flames:

The Bottomless Bottle of Beer can be purchased HERE for a nominal charge.

Another International Authors production that has found its way to Kindle is Dario Rivarossa's engaging and readable study, Dante was a Fantasy Writer, which can be purchased HERE. Mr. Rivarossa has advised me that a number of secondary schools in Italy have selected the original Italian version of Dante was a a Fantasy Writer to introduce students to the Divine Comedy.

Finally, Elkie Riches' novel Reclamation is now available on Kindle.  As captivating and miraculous as the visions experienced in the pre-dawn state of lucid dreaming, Ms. Riches' extraordinary book can be purchased by clicking HERE.

While I appreciate how Kindle can save money and space, my personal preference is for solid physical books; nevertheless, I will be looking closely at Kindle and applying my highbrow faculties of understanding to the phenomena (and epiphenomena) that might be revealed through an in-depth philosophical analysis of this brave new technology.

Call for Submissions: Emanations IV

International Authors and the editors of Emanations are happy to announce a Call for Submissions:

Emanations IV

Emanations is an anthology series featuring fiction, poetry, essays, manifestos and reviews. The emphasis is on alternative narrative structures, new epistemologies, peculiar settings, esoteric themes, sharp breaks from reality, ecstatic revelations, and vivid and abundant hallucinations.

The editors are interested in recognizable genres—science fiction, fantasy, horror, mystery, local color, romance, realism, surrealism, postmodernism--but the idea is to make something new, and along these lines the illusion of something new can be just as important. If a story or poem makes someone say, "Yes, but what is it?" then it's right for Emanations. Essays should be exuberant, daring, and free of pedantry. Length is a consideration in making publication decisions, but in keeping with the spirit of the project contributors should consider length to be “open.”

Our editorial vision is evolving. Contributors should see themselves as actively shaping the "vision" of Emanations.

Send files with brief cover note to Carter Kaplan:

IAsubmissions@hotmail.com

Deadline: February 1, 2014

Emanations is a not-for-profit literary project and contributors cannot be compensated at
this time. All proceeds from the sale of Emanations will support the efforts of International Authors to publish new voices from around the world. Contributors receive a copy upon publication.

Please post questions, suggestions and ideas. The project is a collaborative effort, and as we share ideas the "vision" transforms, evolves, and grows. When we write stories and poems we hope to bring to bear the entire battery of modern and postmodern literary devices. More simply: we like good, strong writing. Our essays are incisive, precise, keen, challenging, and driven by the writer's desire to advance an intelligent audience's understanding of important subjects.

The Fine Print:

1) Submit files as follows: double space, Microsoft Word, Times New Roman size #11.  Set Tabs for .2" and set spacing at 15. The book will be formatted by the editors before publication.

2) No simultaneous submissions (contributors should get fairly quick feedback anyway, especially if their submission meets our needs). Material that is obviously pulled from a file and has nothing to do with the goals of the anthology won't get any feedback beyond the initial acknowledgement.

3) Word count/line count? See details above. We're flexible, but contributors should be sensible when considering what they send in. A novella? Well, maybe, and so on.... Rules of thumb: a) Stories: very short to 20-30 pages. b) Poems: send in 5-10 pages. c) Essays: 5-10-30 pages.

4) Published as hard copy only—Emanations will be available on Amazon. Participants who make a substantial contribution of material, editorial work, or art will get a copy. It can take some time to get copies to contributors outside of North America. In the case of our first anthology, for example, it took forty-five days to get a copy to a contributor in to Nepal.

5) In the past, International Authors has made it possible for contributors to purchases copies “at cost” using coupon codes, and so on. International Authors is a consortium, and as such every contributor is a “member” or our community, and contributors are encouraged to help promote the anthology by sending review copies to newspapers, journals and relevant Web sites.

6) Copyright "reverts" to contributors upon publication. That is, after a piece appears in Emanations, the contributor can seek to publish their piece elsewhere. Contributors should understand that Emanations will remain for sale on Amazon indefinitely. All materials appearing in Emanations are under the exclusive copyright of the cntributing writers and artists.

7) Note to poets: Please do not send poems as individual files. All poetry submissions should be sent as a SINGLE MircosoftWord file formatted in Times New Roman, size 11.  Please submit three to ten pages.

Published by International Authors

Board of Editorial Advisors

Ruud Antonius, Netherlands/UK/Spain

Steve Aylett, UK
Joolz Barry, UK
Holly Baumgartner, US

Michael Beard, US

Michael Butterworth, UK
Tessa B. Dick, US

Jason W. Ellis, US

Cedric Cester, Spain

Mike Chivers, UK

Mack Hassler, US

Horace Jeffery Hodges, South Korea

Sushma Joshi, Nepal

Carter Kaplan, US
Philip Murray-Lawson, France

Devashish Makhija, India
Michael Moorcock, US/UK

Vitasta Raina, India

Elkie Riches, UK

Dario Rivarossa, Italy

Kai Robb, US

Stephen Sylvester, US

Norwegian Forest Cat and Red Fox

Michael Butterworth Interview Part II

Last month Philip Murray-Lawson posted part I of his interview with Michael Butterworth. Part II is now available. Click HERE to learn more about Michael's work in conceptual art, the visual arts journal Corridor8, and his publishing in general.

Someday Dream

A recent note from Vitasta Raina includes a photo of the final proof copy of Someday Dream, a collection of her poetry edited by A. J. Thomas. The book will be published by Sahitya Akademi.

花鳥風月 Kachou Fuugetsu

花鳥風月 

Kachou Fuugetsu

Literally:  Flower, Bird, Wind, Moon...

Meaning:  Experience the beauties of nature, and in doing so learn about yourself...

Writer's Block Reviews

A number of reviews have been posted on the Amazon sales page for Vitasta Raina's novella Writer's Block.  Click HERE to read them.

Vitasta Raina

Sitar Music for Lost Lunar Séance Extravaganza

Highbrow Action at the Brooklyn Book Festival

International Authors had a presence last Sunday at the Brooklyn Book Festival. The Williamsburg Art and Historical Center was our host for the event, and as things turned out we had the honor of representing the Center.

Originally, we were only going to present Emanations: Third Eye as part of the WAH Center display, but then a last minute email from Terrance Lindall informed us that something had come up, and he and his assistant from the WAH Center could not make the event. The table was all ours. Did we have other books to display? And could we represent WAH?

Well, of course!

The full range of International Authors books were presented before the public.  I was joined by surrealist painter Bienvenido Banez, Jr. and Hudson Valley poet Kristine Shmenco, seen here along with yours truly in the following photographs.

I remain very grateful for the opportunity, and on behalf of International Authors I wish to extend my thanks to Terrance Lindall and Yuko Nii, who made the afternoon possible. Terrance and Yuko have been very kind to International Authors over the years, and it has been very enjoyable working with an organization that shares so much in common with our consortium. See, for example, this description of Yuko Nii's "Bridge Concept," as well as this description of just one of the many projects the WAH Center pursues through maintaining its collections and its philanthropic efforts.

Meanwhile, Bien, Kristine and I had a wonderful time talking to festival goers about our books. Also, we compared notes and developed a number if ideas about the book industry--about making books, promoting books and art, about the people who buy books and what they look for, and so on.  We had such an enjoyable time that the day flashed by in a wink  Following the photographs, I have posted links to several press stories. Enjoy.

Brooklyn Daily Eagle
NY1
New York Times
The New Yorker
NYU Local

The Consolation of Music

Events this afternoon at the WAH Center have been cancelled--including my talk on Emanations: Third Eye.  The Brooklyn Book Festival is on, however, and tomorrow morning I will be at table 99 with International Authors.

Meanwhile, I am in Manhattan, and that means music at the Cloisters.  Click HERE for details.

Harvest Moon Tonight

Emanating Announcements

It's always interesting to see how other contributors and editors view a project.  Here are announcements from Dario Rivarossa, Horace Jeffery Hodges, Kristine Shmenco and Mike Chivers:

Tassonomia

Gypsy Scholar

Mirrors*Dooorknobs*Dreams 

Necronomania

Interview with Michael Butterworth

Philip Murray-Lawson has posted Part I of his interview with Michael Butterworth.

Michael Butterworth (l) with Michael Moorcock (r).

 

In the interview, Mr. Butterworth reflects on a number of  intriguing subjects, including his contribution to British New Wave science fiction in the 1960s,  New Worlds, Michael Moorcock, his work with Savoy Books and David Britton, the contemporary avant-garde, and Emanations.

Please click HERE for the interview.

Emanations: Third Eye is Now Available

On behalf of the International Authors Board of Editorial Advisors, I am happy to announce that Emanations: Third Eye, an anthology of fiction, poetry, criticism and art is now available through Amazon.

Click HERE to visit the Amazon sales page.

Emanations: Third Eye events at the Brooklyn Book Festival

As I reported in August, International Authors will have a  presence Sept 21-22 at the Brooklyn Book Festival.  Specifically, we will present Emanations: Third Eye, which will be available very soon.  

Saturday September 21:

12-6 PM Display of the Elephant Folio, plus the Gold Scroll and NEW large format full color drawing, Paradise Lost Re-envisoned

3 PM Admission $5  Refreshments Available.

3 PM Introduction by Yuko Nii, Founder and Artistic Director of the Williamburg Art & historical Center.

3:15 Bienvenido Bones Banez performs his renowned "Satanic Rhapsody" on our Grand Piano.

3:30 PM Dr. Carter Kaplan of International Authors discusses their new release, Emanations: Third Eye.

3:45 PM Audience questions and answers followed by book signings.

4 PM Terrance Lindall will sign his limited edition book about the Gold Folio and talk about the Paradise Lost Contemporary Art Collection that is being developed by the Yuko Nii Foundation, and the complimentary collection being developed by Dr. Robert J. Wickenheiser for the University of South Carolina, which will be on display at a grand conclave of artists, collectors and scholars at the U of SC in 2015 (info: milton@wahcenter.net).

 ...plus Special Antiquarian Book Exhibits including  Reynard the Fox, Boccaccio's Decameron, The second folio of Shakespeare's Macbeth and Hamlet (1632). etc.

Sunday September 22:

9:00 AM Volunteers meet at WAH Center to drive to Book Festival

9:30 AM Set up table #99

10-6 PM Meet people  Book Festival

Volunteers:

Terrance Lindall, WAH Center Ex.  Director

Sarah Cahill Marron, WAH Center Volunteer

Carter Kaplan, International Authors

Kristine Shmenco, International Authors

Visit the WAH Center:

WAH Center (Williamsburg Art & Historical Center)

Located at the corner of Bedford, next to the Williamsburg Bridge:135 Broadway, Williamsburg Brooklyn, NY 11211

Gallery Hours:
Friday, Saturday, Sunday and Monday 12–6 pm

(718) 486-6012
or
(718) 486-7372

wahcenter@earthlink.net

How to get to the WAH Center:

From Manhattan
When driving, just keep to your right when crossing the Williamsburg Bridge which leads you to Broadway. Turn right on Broadway. We are 2 blocks down on the corner of Bedford Avenue and Broadway in the landmark Kings County Savings Bank Building, 135 Broadway.

By Subway
L train to Bedford (one stop into Brooklyn from Manhattan) Avenue.
Walk thirteen blocks south and under the Williamsburg Bridge to Broadway.
Or J, M or Z train to Marcy Avenue (one stop into Brooklyn from Manhattan). Walk three blocks west on Broadway to the WAH Center.