tag:blogger.com,1999:blog-55431412441772872082024-03-18T18:30:33.702-04:00HighbrowCarter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.comBlogger1690125tag:blogger.com,1999:blog-5543141244177287208.post-21818173248799758672024-03-18T18:09:00.002-04:002024-03-18T18:09:33.142-04:00Homey Baloney Googles the Experts<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtSSQBliey4KzMPYuldOitgkwL4TO2pUi1bCulxAY77xcYIjd66S5h291UeonvubpsJY2ZtR-eq0h363VtODp8MQtCAtYdZVzXJm1mDMA1aekXGjopTMm6n-7ZJRXK-m4WVwVEv4bCPQIcSb5vW9zmrzxbRLKbZp0Rw7OSmJTsE0ijfaUwLonccMbXXMv9/s531/Eyes.webp" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="398" data-original-width="531" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtSSQBliey4KzMPYuldOitgkwL4TO2pUi1bCulxAY77xcYIjd66S5h291UeonvubpsJY2ZtR-eq0h363VtODp8MQtCAtYdZVzXJm1mDMA1aekXGjopTMm6n-7ZJRXK-m4WVwVEv4bCPQIcSb5vW9zmrzxbRLKbZp0Rw7OSmJTsE0ijfaUwLonccMbXXMv9/w349-h262/Eyes.webp" width="349" /></a></div><br /><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx8DgnnBZPWYEvx1f-LXvKprQRvGMk4yLKcyidJIzT745cNlfXWBDN2yztUZV9sBuM2NCHeW-W_KQQJB7rt91BXAKDkaVMXzLArEmJZzVqrLVjPIr0A2sbK63j9vtu4eew4azcWKZ-le4lttDgD-fUe_31xLaSXGaovAUqJ2juHmvfMIyDXhF-Pnd836W8/s746/Screenshot%202024-03-18%20at%2018-03-13%20Google.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="352" data-original-width="746" height="165" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx8DgnnBZPWYEvx1f-LXvKprQRvGMk4yLKcyidJIzT745cNlfXWBDN2yztUZV9sBuM2NCHeW-W_KQQJB7rt91BXAKDkaVMXzLArEmJZzVqrLVjPIr0A2sbK63j9vtu4eew4azcWKZ-le4lttDgD-fUe_31xLaSXGaovAUqJ2juHmvfMIyDXhF-Pnd836W8/w349-h165/Screenshot%202024-03-18%20at%2018-03-13%20Google.png" width="349" /></a></div><br /><p><br /></p>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-3665037413548012582024-03-17T17:36:00.009-04:002024-03-18T18:11:12.987-04:00Clark Ashton Smith Bookplate Design<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheO7x4nUHPlwR8NO9blCbnaeUlH7jvHN59Q5NtNq9wkCKNuf9v4nKl5f6_EV53uO90TvKkCUH5CFHLBJzBRbeGiI7WAQwE_FQaLot6LRiRylbqjNwGzxTdJc6X76-eHlNznoPdAycSR4pNYNEyfqNMq0cgXxQKwV-gSHoY_GCDy-1FzYOXI1CXvqpt7LgV/s759/CAS.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="734" data-original-width="759" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheO7x4nUHPlwR8NO9blCbnaeUlH7jvHN59Q5NtNq9wkCKNuf9v4nKl5f6_EV53uO90TvKkCUH5CFHLBJzBRbeGiI7WAQwE_FQaLot6LRiRylbqjNwGzxTdJc6X76-eHlNznoPdAycSR4pNYNEyfqNMq0cgXxQKwV-gSHoY_GCDy-1FzYOXI1CXvqpt7LgV/w383-h370/CAS.jpg" width="383" /></a><br /><p></p><p><br /></p><p><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-family: georgia; font-size: medium;"><br />Seller's description:<br /></span><span style="font-family: "Bookman Old Style", serif;"><span style="font-size: medium;"></span></span></p><blockquote><span style="font-size: small;">ORIGINAL
ART BY CLARK ASHTON SMITH. Smith's Design for his own bookplate, ink on paper,
5 ¼ x 5 inches, titled EX LIBRIS CLARK ASHTON SMITH, Signed "CAS"
lower right corner. Depicts a strange clawed monster bearing what looks like
Smith's own face (a self-portrait?) along with a typically weird flower against
a backgroud of hills. Small pinholes at corners, on small hole (by the
monster's foot). Very good condition. Unique, and rather amazing. This item
came from Smith to Roy A. Squires; Squires used it as the cover image for his
Catalogue 7, BEYOND THE BIBLIOGRAPHIES. Unique Items for Collectors who are Not
Satisfied with Mere Completeness (Circa 1973), an offering of mostly
autographs, manuscripts and association copies of books, mostly pertaining to
HP Lovecraft, Clark Ashton Smith and the Lovecraft Circle. Curiously, the
bookplate was not listed for sale in the catalogue; evidently Squires
"liked it too much". We agree with him: this is a remarkable piece,
certainly one of my all-time favourite pieces of CAS artwork, now offered for
sale. $2950.00</span></blockquote><p></p><p><span style="font-family: georgia; font-size: medium;">It looks like the piece has been sold. Please click </span><span style="font-family: georgia;"><a href="https://www.thompsonrarebooks.com/pages/books/313414/clark-ashton-smith/ex-libris-clark-ashton-smith-clark-ashton-smiths-original-art-for-his-own-bookplate" target="_blank">HERE</a></span><span style="font-family: georgia; font-size: medium;">.</span></p>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-20333535211176071472024-03-16T23:08:00.004-04:002024-03-18T18:29:40.705-04:00What makes your big head so hard!<iframe width="400" height="229" src="https://www.youtube.com/embed/b5TZcgzirMI?si=-s2oriHHRB-w2ar_" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-75464280360842028542024-03-15T15:58:00.011-04:002024-03-15T21:17:20.193-04:00Proving Grounds or: How I Still Don't Worry About the Bomb But Maybe Should<p class="MsoNormalCxSpFirst" style="line-height: normal;"><span style="font-size: medium;"><i><span style="font-family: "Bookman Old Style", serif;">Proving Grounds</span></i><span style="font-family: "Bookman Old Style", serif;">
by Jean-Paul L. Garnier, Cholla Needles Arts & Literary Library, 2023.</span></span></p><p class="MsoNormalCxSpMiddle" style="line-height: normal;"><span style="font-family: "Bookman Old Style", serif;"><span style="font-size: medium;">We don’t hear much about nuclear proliferation and nuclear wars. If we do,
the specter of nuclear war remains an abstraction because it is presented as an
ancillary concern to matters that are more central to the committee-written
political narratives that these days pass for journalism. Vladimir Putin comes to mind,
where the nuclear saber-rattling attending the Ukraine conflict remains a vague bit of stage scenery set well behind Putin’s stalking persona, intentions,
lawlessness, and so on. The “monster” is not nuclear war so much as a
politician who is defying the will of the “true” international order as defined
by the elites controlling that order, and who are competing with the elites that "monster" represents. But
nuclear war is itself a monster, and maybe in the consideration of the human
condition and the fragility of civilization, we should not lose sight of what
nuclear weapons are and what they can do.</span></span></p><p class="MsoNormalCxSpMiddle" style="line-height: normal;"><span style="font-size: medium;"><span><span style="font-family: "Bookman Old Style", serif;">As
a child of the 1960s, and then as a witness to the successful anti-nuclear movements
of the 1970s, I think by the time I was in my late-teens I had become
accustomed to the feeling that the threat of nuclear war was a thing of the past. Pink Floyd's pulling the nuclear fear rabbit out of the hat in <i>The Wall </i>(1979) was </span></span><span style="font-family: "Bookman Old Style", serif;">passé a</span><span style="font-family: "Bookman Old Style", serif;">nd dull.</span><span style="font-family: "Bookman Old Style", serif;"> </span><span style="font-family: "Bookman Old Style", serif;">The dragon had been slain. By
the 1980s, even the sometimes-alarming emotions concerning Ronald Regan’s
nuclear saber-rattling seemed rather quaint. After all, that fear </span><span style="font-family: "Bookman Old Style", serif;">“</span><span style="font-family: "Bookman Old Style", serif;">long ago</span><span style="font-family: "Bookman Old Style", serif;">”</span><span style="font-family: "Bookman Old Style", serif;"> had been drowned in the laughter produced by Stanley Kubrick’s </span><i style="font-family: "Bookman Old Style", serif;">Dr.
Strangelove or: How I learned to Stop Worrying and Love the Bomb</i><span style="font-family: "Bookman Old Style", serif;">. </span><span style="font-family: "Bookman Old Style", serif;"> </span></span></p><p class="MsoNormalCxSpMiddle" style="line-height: normal;"><span style="font-family: "Bookman Old Style", serif;"><span style="font-size: medium;">There
was some further worry in the early 2000s when India and Pakistan were squaring
off, and I only vaguely recall Donald Rumsfeld flying over to the Indian
subcontinent to remind the Indians and the Pakistanis that nuclear war was not
an option. Throughout that episode I had assumed, as if it was a given fact,
that the human race was thoroughly sane in this matter, and that nuclear war
would never occur. Maybe I was right.</span></span></p><p class="MsoNormalCxSpMiddle" style="line-height: normal;"><span style="font-family: "Bookman Old Style", serif;"><span style="font-size: medium;">Perhaps
this is why that among our contemporary cultural artifacts there is a paucity of expressions
serving to remind us of the horror of nuclear weapons and nuclear war. Jean-Paul
L. Garnier’s <i>Proving Grounds</i> helps to fill this gap. A slim, cleverly illustrated,
classic paperback-size production, this new book reminds me of the excitement
and “relevance” characterizing Marshall McLuhan and Quenton Fiore's very “mod” and remarkably
dynamic collaborations: <i>The</i> <i>Medium is the Massage</i> and <i>War and Peace in
the Global Village</i>. Garnier’s slim
volume presents us with 29 poems, each accompanied by a detailed, black and
white photograph of a nuclear explosion. It has a historical feel—a sort <i>of
mal du pays</i> for the atomic age and 1950s science fiction; the combined
effect of reading the poems and viewing the fiery images produces curious
impressions. Here are contemporary
manifestations of Charles Baudelaire’s flowers-of-evil aesthetic refracted
through the lens of our memories of the atomic age <i>and</i> the strange (and
relatively unexplored) lens of considering such weapons <i>over three generations
later</i> in the 21<sup>st</sup> century.</span></span></p><p class="MsoNormalCxSpMiddle" style="line-height: normal;"><span style="font-family: "Bookman Old Style", serif;"><span style="font-size: medium;">The
recent <i><a href="https://en.wikipedia.org/wiki/List_of_accolades_received_by_Godzilla_Minus_One" target="_blank">Godzilla Minus One</a> </i>is a strong reminder of what nuclear war
means, and how even the most militaristic of societies can transform and abandon
war as a means of pursuing foreign policy and then re-direct its energies to
the purpose of improving peoples’ lives. The wonderful success of that film
suggests that nuclear weapons and nuclear war is a subject that we must
continue to consider; it is a subject that still, and with good reason, haunts
us in profound ways.</span></span></p><p class="MsoNormalCxSpMiddle" style="line-height: normal;"><span style="font-family: "Bookman Old Style", serif;"><span style="font-size: medium;">In
that spirit, Garnier’s <i>Proving Grounds</i> is a healthy reminder that
nuclear weapons are antithetical to civilization, notwithstanding their
psychological effects, i.e. frightening whole populations into compliance of one
kind or another. Nuclear weapons remain
unacceptable, and we must continue—notwithstanding our sense of security and our
sense of the continuum of civilization—to not only overcome the threat of
nuclear war, but to also free ourselves from these weapons entirely.</span></span></p><p>
</p><p class="MsoNormalCxSpMiddle" style="line-height: normal;"><span style="font-size: medium;"><span style="font-family: "Bookman Old Style", serif;">Click the cover image
to view the </span><i>Proving Grounds</i> Amazon page:</span><span style="font-family: "Bookman Old Style",serif; font-size: 12pt; mso-bidi-font-family: "Times New Roman";"><o:p></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://www.amazon.com/Proving-Grounds-Jean-Paul-L-Garnier/dp/B0C2S9T5GJ?crid=3OQ6KIA9YZFBV&dib=eyJ2IjoiMSJ9.3TCS4zdrVn-u-miT2SrR0A.u_iATOWx7t1WPLGNSD2dmGeDKCZZJudFAkUUzBIMst8&dib_tag=se&keywords=Proving+ground+Garnier&qid=1710530418&sprefix=proving+ground+garnier%2Caps%2C86&sr=8-1&linkCode=ll1&tag=highbrow-20&linkId=e472dd763c263bb03261354243e9c8f7&language=en_US&ref_=as_li_ss_tl" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1500" data-original-width="911" height="352" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdp6yoZxx_xTWDr3ZpZtEjtNpb76AX4PZmK5BfuDthxxiDgw5GPn5OxJx-MThGc4VZ8VKRPM1roayovewZo7NpWAKCpd5bJlp6AJLP6Wy92BqRvG3-zBU-LQGhxB-AyMm_P1jtzT9lrBdzeatdSWBOfRsr1swehK1U0tlM8Qjtt6_iPi9eWCWjoY9CV_RZ/w213-h352/PG.jpg" width="213" /></a></div><br /><p><br /></p>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-25241341870127797052024-03-14T16:06:00.005-04:002024-03-15T21:25:07.581-04:00Funny, but is it on the mark?<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixylNV2xGx5AZzRubhOWh6o-JOOPB2UyrGPORtHg5Oq3TJMNKrdXebIBbSSMesqSQYAQaJ6n9Ge45dpwnv5hP63dseZuZEsHcC7PTWjtU_nuPLuVvfU4_ojTHV2a_P6Upwu85J4qZ3s3mXM4dXaotg0dPpXAn0N29v2e0usS2V_jm5uSxN2lXLIonN_bI-/s846/Cartoon.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="846" data-original-width="564" height="585" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixylNV2xGx5AZzRubhOWh6o-JOOPB2UyrGPORtHg5Oq3TJMNKrdXebIBbSSMesqSQYAQaJ6n9Ge45dpwnv5hP63dseZuZEsHcC7PTWjtU_nuPLuVvfU4_ojTHV2a_P6Upwu85J4qZ3s3mXM4dXaotg0dPpXAn0N29v2e0usS2V_jm5uSxN2lXLIonN_bI-/w390-h585/Cartoon.jpg" width="390" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Credit: <a href="https://www.existentialcomics.com/" target="_blank">Existential Comics</a></td></tr></tbody></table><br /><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-family: "Book Antiqua", serif; font-size: 12pt;">Are these good
characterizations? Is this Wittgenstein's place in Western Philosophy?</span></p><p class="MsoNormalCxSpMiddle" style="line-height: normal;"><span style="font-family: "Book Antiqua",serif; font-size: 12pt;">It's a fair beginning.</span></p><p class="MsoNormalCxSpMiddle" style="line-height: normal;"><span style="font-family: "Book Antiqua",serif; font-size: 12pt;">Nevertheless, Wittgenstein's activity underscores the point that the
task of philosophers remains important because the credulity
attending metaphysical speculation and unfit/unsuitable language is an on-going
problem that must be reviewed and analyzed by philosophers specializing in
grammatical analysis. The sense of new scientific and philosophical
propositions driven by on-going technological change, institutional corruption
and new political shibboleths requires steady and careful review.</span></p>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-24537652086537976192024-03-13T17:24:00.004-04:002024-03-13T17:24:45.983-04:00Sahasrara (Crown Chakra) Blues<iframe width="400" height="229" src="https://www.youtube.com/embed/NJjAbGj6hmE?si=rBp4MXMOu146guXD" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe> Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-33339449322608761682024-03-12T16:21:00.002-04:002024-03-13T15:07:07.624-04:00Online Interview, March 28<div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiS9OZ62ci4Gnw4K3L6O-aUK9TvbgdUpOnASqmsZvX34t-EYPZEtdZi9V5f27SosnSDCcXWirhfDdTz-Gtiq25Gt5gio5wYkqJmxoZQUt4LSLrG2jejdzTHlYZ7MzLw0623zhPmz-04CiCCVV8ow75DXT52FicCMISlZeJ7_m_-Sjn7dVPx9289JJq0EhZ/s1003/Announcement.jpg" style="clear: left; display: inline; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1003" data-original-width="775" height="457" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiS9OZ62ci4Gnw4K3L6O-aUK9TvbgdUpOnASqmsZvX34t-EYPZEtdZi9V5f27SosnSDCcXWirhfDdTz-Gtiq25Gt5gio5wYkqJmxoZQUt4LSLrG2jejdzTHlYZ7MzLw0623zhPmz-04CiCCVV8ow75DXT52FicCMISlZeJ7_m_-Sjn7dVPx9289JJq0EhZ/w353-h457/Announcement.jpg" width="353" /></a></div><div><p class="MsoNormalCxSpFirst" style="line-height: normal;"><span style="font-family: "Bookman Old Style", serif;"><span style="font-size: medium;">9-10 Eastern Time.</span></span></p>
<p class="MsoNormalCxSpMiddle" style="line-height: normal;"><span style="font-family: "Bookman Old Style", serif;"><span style="font-size: medium;">I will discuss philosophy and
literature, International Authors, the <i>Emanations </i>anthology series, and my
novels, especially the Invisible Tower trilogy. I think I might read from <i>Tally-Ho, Cornelius!</i></span></span></p><p class="MsoNormalCxSpMiddle" style="line-height: normal;"><span style="font-family: "Bookman Old Style", serif; font-size: medium;">Jean-Paul L. Garnier of </span><span style="font-size: medium;"><a href="https://spacecowboybooks.com/" style="font-family: "Bookman Old Style", serif;" target="_blank">Space Cowboy Books</a><span style="font-family: "Bookman Old Style", serif;"> will conduct the interview.</span></span></p>
<p class="MsoNormalCxSpMiddle" style="line-height: normal;"><span style="font-family: "Bookman Old Style", serif;"><span style="font-size: medium;">Free.</span></span></p>
<p class="MsoNormalCxSpMiddle" style="line-height: normal;"><span style="font-family: "Bookman Old Style", serif;"><span style="font-size: medium;">Please click </span><a href="https://www.eventbrite.com/e/online-reading-and-interview-with-carter-kaplan-tickets-823951149067" target="_blank">HERE</a> <span style="font-size: medium;">to register for access.<br /><br />And please spread the word.</span></span></p></div>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-91462768756040512462024-03-11T15:02:00.004-04:002024-03-11T15:02:46.754-04:00Archeological Consciousness in Theory and Practice<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivS-is5OPF6Xz4SZZjRcjGjW7XNRA7INVlfXtVIzq5M84mInhr31h-MnfxdMUx9e2Ed8LUyoVXQWHIUGz9c7_jZXeiC9EcrA9SyUmkhJBVO1qnLZx5DaScoktSZjZy1ENTkS42Kk5sTcP4ixXWWZOq1UDIjWOaVynCIbZHQlwrtqkNdcYDH3PeO_GxRdm2/s500/Sealed%20in%20lastic.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="349" height="502" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivS-is5OPF6Xz4SZZjRcjGjW7XNRA7INVlfXtVIzq5M84mInhr31h-MnfxdMUx9e2Ed8LUyoVXQWHIUGz9c7_jZXeiC9EcrA9SyUmkhJBVO1qnLZx5DaScoktSZjZy1ENTkS42Kk5sTcP4ixXWWZOq1UDIjWOaVynCIbZHQlwrtqkNdcYDH3PeO_GxRdm2/w350-h502/Sealed%20in%20lastic.jpg" width="350" /></a></div><br /><p></p>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-47120788917731434442024-03-10T15:01:00.005-04:002024-03-13T17:37:14.174-04:00The renowned political logic of General Ursus: the simple (i.e. understandable) exaltation of a brutal ideo-metaphysical foundation as justification for organization and policy, an inviolable theory of ape and human nature, sensitivity to prevailing distinctions among the social classes, a steady application of emotional excitation--all underscoring an acute and usable institutional awareness<iframe width="400" height="229" src="https://www.youtube.com/embed/vhHrLJUkJ9Q?si=BacHwpX83kXnV1Rz" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-5433547816491143842024-03-09T12:33:00.000-05:002024-03-09T12:33:01.445-05:00Are abstruse painting titles utterances? <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV3tbpUtOdh2eh86wv-aaaJdWhH2IAF9ecoiSSO6IfqBRvG7bpgGDWXIj5BZm8T5NYNDXTYan3eRrMbPjyhsOC7KWwDfcak75UwaLf-vI95T7pjNHu-FTNqcL6-TB0NIWch9JBUgMqIObT9vS1hGt7wnpjfu1PCbcPtPkGgvk3tPNlxURUP_2CGbgOggTO/s1280/Herman%20de%20Vries%20V69-02%201969.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="994" data-original-width="1280" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV3tbpUtOdh2eh86wv-aaaJdWhH2IAF9ecoiSSO6IfqBRvG7bpgGDWXIj5BZm8T5NYNDXTYan3eRrMbPjyhsOC7KWwDfcak75UwaLf-vI95T7pjNHu-FTNqcL6-TB0NIWch9JBUgMqIObT9vS1hGt7wnpjfu1PCbcPtPkGgvk3tPNlxURUP_2CGbgOggTO/w395-h307/Herman%20de%20Vries%20V69-02%201969.jpg" width="395" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p class="MsoNormalCxSpFirst" style="line-height: normal;"><span style="font-size: 12pt; font-variant-alternates: normal; font-variant-caps: small-caps; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal;">Herman de Vries</span><span style="font-size: 12.0pt;"> - V69-02 (1969)<o:p></o:p></span></p></td></tr></tbody></table><br /><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><span style="font-size: medium;">Assuming painting titles are not propositions, then what are they?</span></p><p><span style="font-size: medium;">If abstruse painting titles are utterances, how do we describe such utterances?</span></p><p><span style="font-size: medium;">How do we respond to such utterances? </span></p><p><span style="font-size: medium;">Are our descriptions of these titles utterances? If so, what does that say about our responses to such titles? </span></p><p><span style="font-size: medium;">Are our remarks concerning paintings qua paintings themselves utterances?</span></p>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-75955850161169702302024-03-08T15:22:00.003-05:002024-03-08T16:26:32.301-05:00If abstruse painting titles were propositions, then_____?<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd_tuu_Yzx_HLsLVIzaAymrYoECC84k3bKmA202EDrci3Grf0mx1XqRivK_JJ4voccS-63EjzsknRgqO3sQIsV5awoFYWF2LrK5OwbbTlJpvhecuoJB7V_xSPQPInSOQYmNvl2DgixUOgRwuKXvodGOBrhnXUVqGxTzfKbw8amfh_kkKSaPGxTrBrrVdCI/s883/Beast.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="883" data-original-width="640" height="541" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd_tuu_Yzx_HLsLVIzaAymrYoECC84k3bKmA202EDrci3Grf0mx1XqRivK_JJ4voccS-63EjzsknRgqO3sQIsV5awoFYWF2LrK5OwbbTlJpvhecuoJB7V_xSPQPInSOQYmNvl2DgixUOgRwuKXvodGOBrhnXUVqGxTzfKbw8amfh_kkKSaPGxTrBrrVdCI/w392-h541/Beast.jpg" width="392" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"></td></tr></tbody></table><div style="text-align: center;"><p class="MsoNormalCxSpFirst" style="line-height: normal;"><span style="font-size: 12pt;"><span style="font-family: georgia;">Max Ernst - Some Animals are
Illiterate (1973)<o:p></o:p></span></span></p></div><div style="text-align: left;"><span style="font-family: verdana;">Do some philosophers debate painting titles as if they were matters of scientific understanding? Or, better, are some of the subjects philosophers debate rather like the strange titles of fanciful paintings?</span></div><div style="text-align: left;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: left;"><span style="font-family: verdana;">Such philosophers might be lost in phantom spaces of conceptual confusion that are rooted in the misapprehension of language; that is, they are confused as to the nature and the character of the subjects they are discussing. </span></div><div style="text-align: left;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: left;"><span style="font-family: verdana;">Want to go deeper? Please click <span style="font-size: x-small;"><a href="https://carterkaplan.blogspot.com/2023/04/facts-vs-concrete-verifiable-facts.html" target="_blank">HERE</a></span>.</span></div>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-36256675777332159402024-03-07T22:22:00.007-05:002024-03-07T22:23:57.733-05:00Dada feels nothing...<p> <iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="229" src="https://www.youtube.com/embed/fBS-9Tm7EmQ?si=GWdjJT19HYlMqkA2" title="YouTube video player" width="400"></iframe></p><p><span face="Roboto, Arial, sans-serif" style="-webkit-text-stroke-width: 0px; background-color: rgba(0, 0, 0, 0.05); color: #131313; display: inline; float: none; font-size: 14px; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; text-decoration-thickness: initial; text-indent: 0px; text-transform: none; white-space: pre-wrap; widows: 2; word-spacing: 0px;"> </span><span style="font-family: "Bookman Old Style",serif; font-size: small; font-variant: small-caps;">Tristan Tzara</span><span style="font-family: "Bookman Old Style",serif; font-size: small;"> - “To make a
Dadaist Poem” (1920)<br />
</span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0in; margin-top: 0in; mso-add-space: auto; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0in;"><span style="font-family: "Bookman Old Style",serif; font-size: small;">Take a newspaper.</span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0in; margin-top: 0in; mso-add-space: auto; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0in;"><span style="font-family: "Bookman Old Style",serif; font-size: small;">Take
some scissors. </span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0in; margin-top: 0in; mso-add-space: auto; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0in;"><span style="font-family: "Bookman Old Style",serif; font-size: small;">Choose
from this paper an article the length you want to make your poem. </span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0in; margin-top: 0in; mso-add-space: auto; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0in;"><span style="font-family: "Bookman Old Style",serif; font-size: small;">Cut
out the article. </span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0in; margin-top: 0in; mso-add-space: auto; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0in;"><span style="font-family: "Bookman Old Style",serif; font-size: small;">Next
carefully cut out each of the words that make up this article and put them all
in a bag. </span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0in; margin-top: 0in; mso-add-space: auto; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0in;"><span style="font-family: "Bookman Old Style",serif; font-size: small;">Shake
gently. </span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0in; margin-top: 0in; mso-add-space: auto; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0in;"><span style="font-family: "Bookman Old Style",serif; font-size: small;">Next
take out each cutting one after the other. </span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0in; margin-top: 0in; mso-add-space: auto; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0in;"><span style="font-family: "Bookman Old Style",serif; font-size: small;">Copy
conscientiously in the order in which they left the bag. </span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0in; margin-top: 0in; mso-add-space: auto; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0in;"><span style="font-family: "Bookman Old Style",serif; font-size: small;">The
poem will resemble you. </span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0in; margin-top: 0in; mso-add-space: auto; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0in;"><span style="font-family: "Bookman Old Style",serif; font-size: small;">And
there you are—an infinitely original author of charming sensibility, even
though unappreciated by the vulgar herd.</span> <br /></p>
<p>
</p>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-79950363524573718912024-03-06T15:39:00.005-05:002024-03-06T19:44:14.966-05:00The Neverland of web browsing progress: a tale of sustainable passivity<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjArXwgDvPY6po3kZrkTyL4X1lDIjSsDx-vaT7Vn3h_LUtvNFMDE-AwzyhiLIV9Irkeluctr-Slb89ouCEhELCc-S3fwMKjxBA4JcVvINnRI8c0yh1gyNj9YcTCfxVDRodjaqDnsH7QEF7jYtPu_7RpPyVCEIpt_wLQ9Z-yQhIcdOenyBuSezycApSW6f4Q/s400/Internet.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="400" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjArXwgDvPY6po3kZrkTyL4X1lDIjSsDx-vaT7Vn3h_LUtvNFMDE-AwzyhiLIV9Irkeluctr-Slb89ouCEhELCc-S3fwMKjxBA4JcVvINnRI8c0yh1gyNj9YcTCfxVDRodjaqDnsH7QEF7jYtPu_7RpPyVCEIpt_wLQ9Z-yQhIcdOenyBuSezycApSW6f4Q/w396-h296/Internet.gif" width="396" /></a></div><br />Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-25622998225750918002024-03-05T16:45:00.003-05:002024-03-11T14:09:31.820-04:00Pushcart Prize nominations for Emanations Zen<p><span style="font-size: medium;">As I announced <a href="https://carterkaplan.blogspot.com/2024/02/work-in-emanations-zen-nominated-for.html" target="_blank">here</a> February 7, several pieces in <i>Emanations Zen</i> have been nominated by the editors of the Pushcart Prize. I have received a letter, and the nominees are:<br /><br />Laura McPherson, "FitYou"</span></p><p><span style="font-size: medium;">Leo Rampen, "Portfolio"</span></p><p><span style="font-size: medium;">Click </span><a href="http://www.pushcartprize.com/?fbclid=IwAR3xiqJB_fOmHxFHEM9Vso9gPWn4dB1l813NpwoTdfzrQ9pVKi4XT8O0rZE" target="_blank">HERE</a><span style="font-size: medium;"> to view the Pushcart Prize web page. </span></p><p><span style="font-size: medium;">Click the cover image to view the <i>Emanations Zen</i> Amazon page:</span></p><a href="https://www.amazon.com/Emanations-Zen-Carter-Kaplan/dp/B0CK9SJX8N?&linkCode=ll1&tag=highbrow-20&linkId=9241c89871bdde7b9fb1855c0e840cce&language=en_US&ref_=as_li_ss_tl" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1499" data-original-width="1000" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZPAFFNOdrw87ccVMP5K7eHL5LepXFTRG7UreKl6W3gPn2hctz_LU5kxDI8fjzpcJWPR6Nxngbg3iwWGsijM45zLpuQ16CdhNqg1F9tOGFlCX-WnMe1ofEVrFNqTFdHm2OHyrnfTTKZ18dPgaiUHCU_yodX5E-vH8wwWLDobQ8l2FThc8S6Yq6b1ZX0kLx/w166-h249/Zen.jpg" width="138" /></a>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-48671393127166030522024-03-04T12:35:00.000-05:002024-03-04T12:35:17.484-05:00Ludwig Mies van der Rohe - Architecture as language <iframe width="400" height="229" src="https://www.youtube.com/embed/Z8VdhVJQm9U?si=XTyG5x_6cCHAHJh7" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-17728350331606747852024-03-03T18:28:00.001-05:002024-03-07T22:25:14.073-05:00Bestiary of Philosophical Conceptions #222: "Nous, Psyche, Physics"; or the School of Plotinus, where the students are the syllabus, the curriculum and the subject<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSgrW3Hs96Ta8jJbHtyQ2TW1trKFo_U1adsWRHppDaWpBPSQT-G4WVq2DErwarE7Anr7Afrn7M_7yqHHnyfXAQ3OoxtRGzxrojio4L7-LlcLpvAl_WaSegiW4ggVdT8EVYeX9YSem7Tb49fHCeVhps1Dqz1v0JxAKdKrQVeC6EXVSmcHdG1Dbf3yax2DsN/s1000/Cuttle.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="846" data-original-width="1000" height="325" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSgrW3Hs96Ta8jJbHtyQ2TW1trKFo_U1adsWRHppDaWpBPSQT-G4WVq2DErwarE7Anr7Afrn7M_7yqHHnyfXAQ3OoxtRGzxrojio4L7-LlcLpvAl_WaSegiW4ggVdT8EVYeX9YSem7Tb49fHCeVhps1Dqz1v0JxAKdKrQVeC6EXVSmcHdG1Dbf3yax2DsN/w384-h325/Cuttle.jpg" width="384" /></a></div><br /><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ2QSOMYo7U1JtH_hIGZnfn57fRsSRQsfsY-JaPnf4mTwq80Epilcw-itGYHsb5txjhYObaLrNOgN-PyopsifBgzNMRbk446i8jQu1eF71X1vTJuG2j5b2zm8lRiAMCOvYpBjm_ClW6uL64NWYzhlrBnk_JpSVtoqm845IkO94kY_iqLFOiFNZmrnwLz0Q/s474/Cat2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="355" data-original-width="474" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ2QSOMYo7U1JtH_hIGZnfn57fRsSRQsfsY-JaPnf4mTwq80Epilcw-itGYHsb5txjhYObaLrNOgN-PyopsifBgzNMRbk446i8jQu1eF71X1vTJuG2j5b2zm8lRiAMCOvYpBjm_ClW6uL64NWYzhlrBnk_JpSVtoqm845IkO94kY_iqLFOiFNZmrnwLz0Q/w383-h287/Cat2.jpg" width="383" /></a></div><br /><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK-tf0P0tit1QHXtgNY4yw5J1FUc4gIz6MtZWZsCk9f1w_YyUHcBQxVkirgO7CsfuWeEcgybQl9yiVGBP6b2Y1NSObW-6CKzo4gx_sH-tARN-xu4c8K8pjvMd3gqnIgi4A8Ns-VJBKb-bnDaJjquMkW912nJ8noq3sI5IWzetrzrGvnrafrHhSwrqo3eZO/s1200/Jerry.webp" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="807" data-original-width="1200" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK-tf0P0tit1QHXtgNY4yw5J1FUc4gIz6MtZWZsCk9f1w_YyUHcBQxVkirgO7CsfuWeEcgybQl9yiVGBP6b2Y1NSObW-6CKzo4gx_sH-tARN-xu4c8K8pjvMd3gqnIgi4A8Ns-VJBKb-bnDaJjquMkW912nJ8noq3sI5IWzetrzrGvnrafrHhSwrqo3eZO/w383-h257/Jerry.webp" width="383" /></a></div><br /><p><br /></p>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-2041522282426463772024-03-02T12:39:00.004-05:002024-03-02T12:53:01.611-05:00 Norman Spinrad on Astronomy, Publishing and Culture...<p><span style="font-family: times; font-size: medium;">Just across my desk, a circular from renowned author Norman Spinrad concerning recent publishing ventures, with fascinating remarks on progress in astronomy, the James Web Space Telescope, our evolving anthropological understanding, publishing, politics, cultural trends, and so on.</span></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO5oDBXZ5z4gI0ImqhtDTGL90UGa1nxcxgEUdoVUJikaWmXpGRmuY8SliptWW-V2U7KVXMFp7nH0EUycqs2mptsy4-sfIC1FZ4X8-kEhdKipzSiE-IuK205W05fh02hyphenhyphen0kwQC0k6sOSxO7xIzu_QvO6ufdc8gXGVToXU31hofwR3hR87qcA837fln6ORfN/s590/Norman.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="347" data-original-width="590" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO5oDBXZ5z4gI0ImqhtDTGL90UGa1nxcxgEUdoVUJikaWmXpGRmuY8SliptWW-V2U7KVXMFp7nH0EUycqs2mptsy4-sfIC1FZ4X8-kEhdKipzSiE-IuK205W05fh02hyphenhyphen0kwQC0k6sOSxO7xIzu_QvO6ufdc8gXGVToXU31hofwR3hR87qcA837fln6ORfN/w368-h216/Norman.jpg" width="368" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Norman Spinrad</td></tr></tbody></table><br /><p></p><div style="background-color: white; font-family: arial, helvetica, sans-serif; font-size: large; outline: none;"></div><p class="MsoNormal"></p><div style="text-align: center;"><span style="font-family: georgia; font-size: large;">Citizens of the Galaxy</span></div><div style="text-align: center;"><span style="font-family: georgia; font-size: medium;"> the Critique and the Book</span></div><span style="font-family: georgia; font-size: medium;">
<br />
On August my critique "Citizens of the Galaxy" will be published in Asimov
magazine. Three of my stories, "The Sword of Damacles," "Ad Astra" and "Up and
Out," have already been published in magazines and are the major part of the
book CITIZENS OF THE GALAXY, which has yet to find a publisher.</span><p></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">It has long been an economic trade publishing practice, at
least in science fiction, to blow up a novella, say 30,000 words, into a 60,000
word novel, or visa versa publish say a 20,000 piece of a finished novel, in a
magazine to try to help get the novel published. </span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">But CITIZENS OF THE GALAXY the book could be published as
either a single novella enlarged to a novel or that novella plus two short
stories plus more, and work literally either way, and I would be eager to have
a good professional editor help me make the decision, if only I can find one to
work with me to make the decision.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">"Up and Out" is the 25,000 word novella which has
already been published in Asimov's magazine to mutual satisfaction, but strictly literally speaking, would be best at about 40,000 words, but
would not be hurt at say 60,000 words. But the other two published
stories, written before the novella, and are related to it story wise, together
would be something different and deeper.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">"The Sword of Damocles" takes place entirely in a super
orbital telescope in a future in which it is known that there are extrasolar
alien cultures, but nothing more and what that would mean to the culture below.
Some time later I was commissioned to write what literature would be like a
century in such a future. And Up and Out, the novella, takes place in the same
future.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">But what makes CITIZENS OF THE GALAXY currently unique is
that the future is now about to begin in real time. When we understand
that we are now in the process of realizing that we are not alone in this
galaxy.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">Within less than two years, the <a href="https://www.jwst.nasa.gov/" target="_blank">James Web Space Telescope</a> has
completely opened up our knowledge of the universe, let alone our mere galaxy.
Billions of suns. As many as trillions of stars and moons. The understanding
that h20 and carbon are the most common chemicals in the galaxy, in the
universe, the waters of life.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">And as I write this, as I have written the magazine stories,
as the critique of Citizens of the Galaxy you can read in August, as probably
even before I can find a publisher for the book CITIZENS OF THE THE GALAXY, we
will know for scientific certainty that we are at least not the only life in
this galaxy, indeed not the only life in the universe but citizens of the
galaxy.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">Which is why I want to open this book of speculative
fictional with something that is not fiction but a piece of
non-fiction speculation that I wrote almost half a century ago, The
Transformation Crisis. When there was not a single planet known outside our
solar system, first written as a speech I wrote to deliver in a
university, then published in a magazine, then in various versions online
when the online came to be, and yet true speculative non fiction now and will
always be true as long as we are Citizens of the Galaxy, as long as there are
any consciousness beings who survive as citizens of this galaxy or any other.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">It is obvious and inevitable than any civilization that
evolves anywhere will reach a transformation crisis when its technology evolves
to the point where it has the power to destroy itself. It either does
destroy itself or it evolves the wisdom not to do so and can survive for
millions of years.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">And our transformation criss is now. It began with
Hiroshima, it continues with what we have done with our planet, with our solar
system, it may continue to be a crisis for centuries, before humanity either
fails our crisis or succeds its transformation.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">Humanity meet "aliens" has been a central story of
"science fiction" but for the most part it has been mainly humans
verses aliens, ala Cowboys against Indians, Us verses Them, perhaps because
20th century SF grew out of action magazines. But now, only now,
meaning perhaps only in the last few years, is speculative fiction being
written virtually knowing what the galaxy really is, and that there are most
probably other citizens of the galaxy out there.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">And once there is proof that there is at the very
least other life in the galaxy, speculative fiction cannot help but become a
central literary fiction, if not the dominant literature. So this is what
CITIZENS OF THE GALAXY is, both what such a culture might be like and
what its literature would be like.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">I have published something like 30 novels but only once have
I set two of them in the same speculative "Norman Spinrad Universe."
CITIZENS OF THE GALAXY is and is not such a book. The three stories take place
in the same speculative culture, and indeed some of the characters appear in
more than one of the stories, sometimes central, some times not.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">And as I look back of those 30 or so novels I realize that
only a very few of them are Us Against Them stories. And not so many of
them are neither set in utopias or dystopias. And now, things being dire as we
are at the edge of our transformation crisis, dystopias seem more creditable
and realistic than utopias.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">But CITIZENS OF THE GALAXY is neither. I have chosen, or
rather been chosen perhaps, to write the stories in a speculative future sent
about one or two centuries in the future, in a culture that has successfully
passed through it's transformation crisis. Neither utopia nor dystopia,
but of course not without personal and cultural drama.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">I have always, or almost, wanted to write stories that the
readers at least feel somewhat the better for having read them, or at
least not bummed out. As I have always agreed that it is better to light a
candle than curse the darkness. And certainly, most people, given the
situations now, must prefer that now.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">So why have I been forced to do this now, to ask anyone who
might read this SOS to do anything that might help CITIZENS OF THE GALAXY find a publisher? Or even an agent. There
are all too many white male writers with similar backgrounds complaining that
this is why they find themselves black balled. Perhaps this may be so for them,
be they too MAGA or too Moke, but I cannot deny that I did it to myself.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">People have wondered why Norman Spinrad hasn't published
another novel since THE PEOPLE'S POLICE some ten years ago. Is he dead? Has he
retired? Has he lost his literary desire?</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">No, the answer is that I was black balled by myself. No
publisher, no agent, and what caused this is what happened to THE PEOPLE'S
POLICE. Tor was the publisher, David Hartwell was the editor, and THE PEOPLE'S
POLICE was published in hardcover, and this novel meant so much to me that I
spent my own money to make video in New Orleans, knowing that Tor wouldn't pay
for making that, but since it was free to them, they would be eager to make the
best of the freebie.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">But before the book was to be published the shit hit the
fan. David Hartwell was killed in an accident, meaning that THE PEOPLE'S
POLICE became what is known an orphan novel, meaning that it had no champion at
Tor. Tor did nothing with the video and didn't pay a penny in promotion.
Worse even than that, when they showed me the hardcover cover, a male and
female cop back-to-back and creating an evil raciest face, exactly against the
spirit of the novel, I was not amused. They had never showed me the proposal of
the cover, and said it couldn't be changed because David Hartwell had
approved it, which I knew to be a lie.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">I was furious, but what could I do but wait for the trade
paperback and hold my anger and get a better cover on it? And I did. But then I
was told that there would be no trade paperback. At which point it meant
war. I was determined to free THE PEOPLE'S POLICE from the clutches of Tor.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">As Hemingway had put it, when I write it, I am an artist,
when I finish, I become a son of a bitch. If necessary. Suffice it
to say that I did. I won the battle against a major publisher. All
by myself. Suffice it to say that no agent could afford to act for a client
against a major publisher. Mine didn't, I couldn't blame him and I
haven't been able to get another agent since, and things having become in the
biz these days what they are, no major or even other appropriate other
publisher will even read a novel proposal except through an agent, even from
likes of a Norman Spinrad.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">Did I know I was black balling myself? Was I an asshole? Was
I a hero? Was I both? Was I even thinking that way?</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">Be that as it may, here I am now, writing this, asking
anyone who can, who would want to, give me a helping hand out of this black
balling hole, as my former agent could not dare to do. Or send this along to
someone or something else who might. As always, anyone who reads this can
send it anywhere else, to anyone else who might care, to simply a good
publisher. And or good editor. Or an agent who would want to try. Or a
magazine or newspaper who would want to retell the story.</span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">To any citizen of this galaxy, or for that matter beyond.<br />
<!--[endif]--><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family: georgia; font-size: medium;">Norman Spinrad<br />
1 rue de la Bucherie<br />
75005 Paris<br />
06-61-97-53-43<o:p></o:p></span></p>
<p class="MsoNormal"><a href="mailto:normanrspinrad@gmail.com" target="_blank"><span style="font-family: georgia; font-size: medium;">normanrspinrad@gmail.com</span></a></p><div><span style="line-height: 107%;"><span style="font-size: medium;"><br /><span style="line-height: 107%;"><span style="font-family: georgia;">Wikipedia
pages:<br />
English-<br />
<a href="https://en.wikipedia.org/wiki/Norman_Spinrad" target="_blank">https://en.wikipedia.org/wiki/Norman_Spinrad</a><br />
Francais--</span></span><span style="color: #26282a; line-height: 107%;"><span style="font-family: georgia;"><br />
<a href="https://fr.wikipedia.org/wiki/Norman_Spinrad" target="_blank"><span style="color: #196ad4;">https://fr.wikipedia.org/wiki/Norman_Spinrad</span></a></span><br />
<!--[if !supportLineBreakNewLine]--><br />
<!--[endif]--></span></span></span></div>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-8747831204655062192024-03-01T13:17:00.004-05:002024-03-01T13:17:41.019-05:00Dr. Alfred McLaren<div><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="229" src="https://www.youtube.com/embed/kbvVdShvfGg?si=wvjzWjD1mT6_c7e_" title="YouTube video player" width="400"></iframe></div><div><span style="font-family: georgia; font-size: large;"> </span></div><div><span style="font-family: georgia; font-size: medium;">Dr. McLaren's books:</span></div><div><span style="font-size: xx-small;"> </span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.amazon.com/Waters-First-Hand-Under-ice-Continental-Queenfish/dp/0817316027?crid=31PBOZD24E37G&dib=eyJ2IjoiMSJ9.9Rlu2AifpeysR0H--EcWlEeQ2-QhwAcGnrlBLC_RPySz5hiRQh-s7xSjibTw312Pts922kEOIh5TcXQZyxX0R7y1JJHcWM4s3nw_q7i5Dg16zYIms2k6cSf2n0rVkB71S-zIayeN5_fFVIvM-CPSFuioA2rJBEYksU_blypIVUQU6oopMJTGAKxlMEPijOe6QDeaZenhMpD-GwEYjNb22_WhhqLHf2TW1ycypoGL9Pk.b40upZiR9DkotuQ6c2-zIkFCjNK64CoODVghy6gN5QM&dib_tag=se&keywords=Alfred+McLaren&qid=1709316513&sprefix=alfred+mclaren%2Caps%2C102&sr=8-3&linkCode=ll1&tag=highbrow-20&linkId=fe80479e02ea6c189d6845a2dbe493e5&language=en_US&ref_=as_li_ss_tl" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="466" data-original-width="307" height="359" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBUniVh8ve7DEKlo7AJbLmwClEKX_uaNKec9UCEtgcbct2KuBW2An-etiKFtbgqIZpZS4JhS67aWka5qzAMGBE_KQtOsUUdfF1lOktktMGGo5hwse5FAKfHtPPbmp6cHTXSnoAO3-mJVg-mRAGqlZ8Ap71tXESYsJZy0ZH2kthGMkJN_kpdXFT-Erdblwe/w237-h359/1.jpg" width="237" /></a></div><br /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.amazon.com/Silent-Unseen-Patrol-Attack-Submarines-ebook/dp/B00PSSK6J4?crid=31PBOZD24E37G&dib=eyJ2IjoiMSJ9.9Rlu2AifpeysR0H--EcWlEeQ2-QhwAcGnrlBLC_RPySz5hiRQh-s7xSjibTw312Pts922kEOIh5TcXQZyxX0R7y1JJHcWM4s3nw_q7i5Dg16zYIms2k6cSf2n0rVkB71S-zIayeN5_fFVIvM-CPSFuioA2rJBEYksU_blypIVUQU6oopMJTGAKxlMEPijOe6QDeaZenhMpD-GwEYjNb22_WhhqLHf2TW1ycypoGL9Pk.b40upZiR9DkotuQ6c2-zIkFCjNK64CoODVghy6gN5QM&dib_tag=se&keywords=Alfred+McLaren&qid=1709316513&sprefix=alfred+mclaren%2Caps%2C102&sr=8-2&linkCode=ll1&tag=highbrow-20&linkId=7e3bf8a38525e30c47fb567e9a8d0280&language=en_US&ref_=as_li_ss_tl" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="466" data-original-width="309" height="355" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDghhyphenhyphenohWwA8i6C-OrQVwVlZ1Bjbc7I70Tp45i2UWjNEwMIIu_EWy74-Aghn_KPJa7pMbRwc2CqrQ272GPzjrwl1OfPhMQE3rpThHIvrXIUp95bx4m18pbUV9273UjRAwMahA_2xtWCj0sUwDwxEZ02u7rbW71vumZhTrsyv4X1_ApAu_6UtA-0SfpTk8V/w235-h355/2.jpg" width="235" /></a></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.amazon.com/Emergency-Deep-Missions-Submarine-Commander/dp/081732092X?crid=31PBOZD24E37G&dib=eyJ2IjoiMSJ9.9Rlu2AifpeysR0H--EcWlEeQ2-QhwAcGnrlBLC_RPySz5hiRQh-s7xSjibTw312Pts922kEOIh5TcXQZyxX0R7y1JJHcWM4s3nw_q7i5Dg16zYIms2k6cSf2n0rVkB71S-zIayeN5_fFVIvM-CPSFuioA2rJBEYksU_blypIVUQU6oopMJTGAKxlMEPijOe6QDeaZenhMpD-GwEYjNb22_WhhqLHf2TW1ycypoGL9Pk.b40upZiR9DkotuQ6c2-zIkFCjNK64CoODVghy6gN5QM&dib_tag=se&keywords=Alfred+McLaren&qid=1709316513&sprefix=alfred+mclaren%2Caps%2C102&sr=8-1&linkCode=ll1&tag=highbrow-20&linkId=506ae7a49e1f3bf3c29972d6548deeb4&language=en_US&ref_=as_li_ss_tl" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1500" data-original-width="1000" height="351" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu6JyU4h4nhrnN12gQuT0cIM6P6EOtQS3STZNrI7CJDl0QKorQfriUoDGES17hBIAF2Cnty7SC0giehW5UUP3yM76wmKA-yE8JntmL53kFVhqTvAR8O0hxy-DxZeTsMtS5-QtLISCB36Vt_b6C7MLTbINdjAtP2KrchEM2lm137JDlVCdJbbfsMGnp5ayn/w233-h351/3.jpg" width="233" /></a></div><div><br /></div>
Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-48161674670617939472024-02-29T20:17:00.005-05:002024-03-01T13:21:54.797-05:00Variations Upon Form and Substance: an ontological fable for tuned-in Skeptics<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0ADhbnWgxO7Ik36Fqr0eht_VsvUozbwLTGc-HDL-kxX_6oLsHakl0OEjdqtRhGjjI5vnU5_u6t4tV5lTLW5K3txV1DYBjfMfgcFDMPgPPvMt2q-iLu8LXr1ZjctI8evSARJSgiOnilJZWvSFpQj3zAI1i6vcQa1DlSIDKawOfh_3UN2sPRwflAUe5jCfy/s600/1AAAA.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="600" height="196" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0ADhbnWgxO7Ik36Fqr0eht_VsvUozbwLTGc-HDL-kxX_6oLsHakl0OEjdqtRhGjjI5vnU5_u6t4tV5lTLW5K3txV1DYBjfMfgcFDMPgPPvMt2q-iLu8LXr1ZjctI8evSARJSgiOnilJZWvSFpQj3zAI1i6vcQa1DlSIDKawOfh_3UN2sPRwflAUe5jCfy/w391-h196/1AAAA.jpg" width="391" /></a></div><br /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXiTUuYGb0kw_iYzm1z_peOaEsML6PeSNzufOgNYrLicIiYUDVbNXmadHHb2SyednjZvL4-SxpSyKcu2HUzkiXTjUOISYiMQw6BqK5Dk6Ct-hayU2kUQ2gjqY7hDt7IQy8veb8QddEVdNtA4_grwEwoj-C9yDOzkVwN0E9MoYYQtFwzPLH_3iRbI7AM14Q/s872/1AABB.jpg" style="clear: left; display: inline; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="644" data-original-width="872" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXiTUuYGb0kw_iYzm1z_peOaEsML6PeSNzufOgNYrLicIiYUDVbNXmadHHb2SyednjZvL4-SxpSyKcu2HUzkiXTjUOISYiMQw6BqK5Dk6Ct-hayU2kUQ2gjqY7hDt7IQy8veb8QddEVdNtA4_grwEwoj-C9yDOzkVwN0E9MoYYQtFwzPLH_3iRbI7AM14Q/w393-h290/1AABB.jpg" width="393" /></a></div>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-53964200007560806602024-02-28T15:39:00.007-05:002024-03-08T17:37:30.698-05:00Was this the face that launched a thousand ships - or does Faust behold an allegory of false and seductive images?<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="229" src="https://www.youtube.com/embed/44Wa4NOiiQ4?si=uR34Y4cv68BAj8g2" title="YouTube video player" width="400"></iframe> </p><p><!--[if gte mso 9]><xml>
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</p><p class="MsoNormal" style="line-height: normal;"><span style="font-size: medium;"><span style="font-family: "Bookman Old Style",serif;"></span></span></p><blockquote><span style="font-size: medium;">Was
this the face that launch'd a thousand ships,<br />
And burnt the topless towers of Ilium?<br />
Sweet Helen, make me immortal with a kiss.<br />
Her lips suck forth my soul: see where it flies!<br />
Come, Helen, come, give me my soul again.<br />
Here will I dwell, for heaven is in these lips,<br />
And all is dross that is not Helena.<br />
I will be Paris, and for love of thee,<br />
Instead of Troy, shall Wittenberg be sack'd;<br />
And I will combat with weak Menelaus,<br />
And wear thy colours on my plumed crest;<br />
Yea, I will wound Achilles in the heel,<br />
And then return to Helen for a kiss.<br />
O, thou art fairer than the evening air<br />
Clad in the beauty of a thousand stars;<br />
Brighter art thou than flaming Jupiter<br />
When he appear'd to hapless Semele;<br />
More lovely than the monarch of the sky<br />
In wanton Arethusa's azur'd arms;<br />
And none but thou shalt be my paramour!</span></blockquote><p></p><p><span style="font-family: times; font-size: medium;">No, this was <i>not </i>the face that launched a thousand ships; it is rather the face of a demon that has assumed the image of Helen, wife of Menelaus. Moreover, on the Elizabethan stage the actor playing the role of Helen would have been a boy. All is dross that is not Helena? But isn't the demon, the false image--isn't this dross? And would Faust commit acts of military enormity for what is but an image? The evening sky filled with stars is indeed beautiful, but is this heavenly beauty, or, in comparison, mere elements and lights that charm but are cold... Bright as Jupiter when he appeared in unveiled and total glory before Semele, whereupon his dazzling divine radiance overwhelmed her mortal nature and destroyed her? Finally, the proclamation, "More lovely than the monarch of the sky/In Arethusa's azure'd arms" (among the most beautiful alliterative lines in English poetry)--the image of the sun merely <i>reflected </i>in the fountain or tarn to which Arethusa fled to evade the advances of lustful Alpheus--the river stream in which she had been innocently bathing. Carrying the tenor, the Monarch of the skies--"the sun"--is merely the reflection rather than the substance of the glory Faust aspires to. Recall earlier in the play when Faust demanded a wife, Mephistopheles denied him, explaining marriage was a sacrament, and Faust through the act of selling his soul was forbidden sacraments. Further inquiry regarding <a href="https://en.wikipedia.org/wiki/Arethusa_(mythology)" target="_blank">Arthusea</a>'s connections with poetry and the underworld will tease out possibilities for more interpretation. Rather than images and phantom gods, Faust would do well to pursue reality, which of course is Christ and the narrow way to eternal salvation. Alas, the Classical world holds for Faust many charms and many inescapable enticements. Indeed, for who can escape what he desires?</span></p><p><span style="font-family: times;"><span style="font-size: medium;">As the sailors of a thousand ships can tell you!</span><br /><span style="font-size: xx-small;"> </span> </span></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEily6H5VG7GgSq8Me5NgTPMLTsKY12HeMfkR4t2qTi9ArfsrhFMZ33uQ8AmKWDwRgFu3giX_cDB7PGulXLF3BN5XMV629rdeAi2UA_cWVhmMfQE0zOZ8brPamJZCPC55lXIjeuK4v3Qhm_MTFHSSr6S-kTb-ocT_g844jouaZSH7wFXemVq5vLazbsqRRGI/s6144/Jupiter_and_Semele_by_Gustave_Moreau.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="6144" data-original-width="3399" height="715" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEily6H5VG7GgSq8Me5NgTPMLTsKY12HeMfkR4t2qTi9ArfsrhFMZ33uQ8AmKWDwRgFu3giX_cDB7PGulXLF3BN5XMV629rdeAi2UA_cWVhmMfQE0zOZ8brPamJZCPC55lXIjeuK4v3Qhm_MTFHSSr6S-kTb-ocT_g844jouaZSH7wFXemVq5vLazbsqRRGI/w395-h715/Jupiter_and_Semele_by_Gustave_Moreau.jpg" width="395" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><!--[if gte mso 9]><xml>
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Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
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<p class="MsoNormal" style="line-height: normal;"><span class="mw-mmv-title"><span style="font-family: "Bookman Old Style",serif; font-variant: small-caps;">Ludovico
Dolce</span></span><span class="mw-mmv-title"><span style="font-family: "Bookman Old Style",serif;">
- Ceres and Arethusa (1558)</span></span><span style="font-family: "Bookman Old Style",serif;"></span></p>
</td></tr></tbody></table><br /><p><br /></p><p><br /></p><p><br /></p><p>
</p>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-83744319907104015942024-02-27T12:50:00.000-05:002024-02-27T12:50:44.991-05:00Urban amplification attenuated through abstraction; or aspiration and performance in dream space and upon canvas, moreover having nothing to do with considerations of noumena and phenomena, which are rubbish concepts<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqY4syuv1wi7UWDwjrAtMn3HGNw8ypGhV_5NnK-B-tfBZNSYVNJnVCsul92VJunvxhU3YDGzP0TdOy3iQfNpu6ZGhjldhj-ax-K3OWsBEVSQzV44nv0nGiQFvSjQEPbqPt15lS84UOek-wlSaInX2cIjZNjt2xWoqolXuzo52lF97tEY7PxPfLD_-6h90v/s1116/Klee.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1116" data-original-width="720" height="506" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqY4syuv1wi7UWDwjrAtMn3HGNw8ypGhV_5NnK-B-tfBZNSYVNJnVCsul92VJunvxhU3YDGzP0TdOy3iQfNpu6ZGhjldhj-ax-K3OWsBEVSQzV44nv0nGiQFvSjQEPbqPt15lS84UOek-wlSaInX2cIjZNjt2xWoqolXuzo52lF97tEY7PxPfLD_-6h90v/w326-h506/Klee.jpg" width="326" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p class="MsoNormalCxSpFirst" style="line-height: normal;"><span style="font-size: medium;"><span style="font-variant-alternates: normal; font-variant-caps: small-caps; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal;">Paul Klee</span>
- Dream City (1921)</span><span style="font-size: 12pt;"><o:p></o:p></span></p></td></tr></tbody></table><br />Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-64298612244684447902024-02-26T15:07:00.002-05:002024-02-29T21:27:53.340-05:00Anodyne amusement for a bored nation looking for meaning in animated oddity, revisited again and again and again...<iframe allowfullscreen="" class="giphy-embed" frameborder="0" height="345" src="https://giphy.com/embed/VP9Mk62ZiRy4E" width="480"></iframe><p> </p>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-12720545848593490032024-02-25T13:36:00.002-05:002024-02-25T13:36:42.516-05:00 Bestiary of Philosophical Conceptions: #129 Altérité <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3n4-QRC-W4BZWnKJjp0Trtz7VBvk5HfglGtz3fKGz6_tYGqbpmkpDhGXLaXWZWX12kBf8ZADUP4umvPwUITVy-UIPWs1h3jy0PlDx41PP46Zr-u_aWbJhlzTuLArt6aNAhfb73sbZD0b9pfg0UrjSz70rMx_SG8wntRTxKTwGSLThtCdXh65OKKR4g0N_/s1280/Octo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3n4-QRC-W4BZWnKJjp0Trtz7VBvk5HfglGtz3fKGz6_tYGqbpmkpDhGXLaXWZWX12kBf8ZADUP4umvPwUITVy-UIPWs1h3jy0PlDx41PP46Zr-u_aWbJhlzTuLArt6aNAhfb73sbZD0b9pfg0UrjSz70rMx_SG8wntRTxKTwGSLThtCdXh65OKKR4g0N_/w382-h215/Octo.jpg" width="382" /></a></div>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-50174206012428414602024-02-24T17:40:00.004-05:002024-02-24T18:19:06.753-05:00Gabriel's Horn/Torricelli's Trumpet: structure or concept?<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeZ8z87r0vwWbBqssBM7fKIi2Yw4n1dFT_oU-Jowa-xt4KfsKFinYO8wXlGbB6LpfVHXsxoxSghCtG-zsFabTj4F0BTkyBLNGJdnbtclgscddk9ooAEr7W0xptOp4aPq9BLTNEZmkpHSTQhW1wL-RQaoWeWHia31uCAfjPA0BmhHzW880gOKT-GdRu10dP/s399/Horn.gif" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="379" data-original-width="399" height="350" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeZ8z87r0vwWbBqssBM7fKIi2Yw4n1dFT_oU-Jowa-xt4KfsKFinYO8wXlGbB6LpfVHXsxoxSghCtG-zsFabTj4F0BTkyBLNGJdnbtclgscddk9ooAEr7W0xptOp4aPq9BLTNEZmkpHSTQhW1wL-RQaoWeWHia31uCAfjPA0BmhHzW880gOKT-GdRu10dP/w368-h350/Horn.gif" width="368" /></a></div><br /><p></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><span style="font-family: georgia; font-size: xx-small;"> </span></p><p><span style="font-family: georgia; font-size: medium;">Infinite surface area but limited volume? Or an infinitely long shape with a finite volume or area? <br /><br />More importantly, are we discussing a <i>structure</i> or a <i>concept</i>?</span></p><p><span style="font-family: georgia; font-size: medium;">Please click </span><span style="font-family: georgia;"><a href="https://en.wikipedia.org/wiki/Gabriel%27s_horn" target="_blank">HERE</a></span><span style="font-family: georgia; font-size: medium;">.</span></p>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0tag:blogger.com,1999:blog-5543141244177287208.post-27345455938362934742024-02-23T15:56:00.003-05:002024-02-23T15:56:30.269-05:00Starring the Observer <iframe width="400" height="229" src="https://www.youtube.com/embed/zbjSSyAo9WA?si=FHsE3wEz1aMg2yOx" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe>Carter Kaplanhttp://www.blogger.com/profile/12238488445515604870noreply@blogger.com0