Saturday, May 31, 2025

"Caste Among Tribes: Tribal Contrasts in the Shadow of the City" by Vitasta Raina

Mural outside a Katkari House at Varosawadi (Katkariwadi)

Vitasta Raina writes:

In the summer of 2022, I rode my bike on the old Mumbai-Pune highway from Pune to Chowk. It took me about half an hour to reach Chowk from the end of the Bhor Ghat, and would take me another two hours to reach Mumbai from Chowk. At approximately the geographical center of the highway between Pune and Mumbai, at the base of the Tooth Mountain and adjacent to Morbe Dam, lies the village of Chowk. Chowk was my case study village for my PhD studies on ‘Rural Housing Schemes in Peri-urban Villages’. It had the right conditions for my study, a village with active rural housing schemes, in close vicinity of real estate townships of the likes of Hiranandani and Godrej, and with a railway station that was getting expanded to join the Mumbai sub-urban rail network.

Click HERE for the rest of the essay.

Vitasta Raina is the author of Writer's Block.  Click HERE.

Wednesday, May 21, 2025

Highbrow Juxtaposition: Max Ernst, animated; Electrolux vacuum cleaner by Lurelle Guild; Re-packaged, and re-packaged again?

Epitomizing contemporary re-animation





















Epitomizing "Streamline Moderne" (1937)




















(front view/side view?)

Tuesday, May 20, 2025

Sunday, May 18, 2025

Wednesday, May 14, 2025

Reminder: Wave IX

Last November, I announced the publication of Wave IX, a J.G. Ballard-inspired collection of avant-garde fiction, poetry and graphic art. The book includes my fiction piece exercising a fusion of contemporary developments in AI with post-WWII modernist aesthetics, "The Nanopoetic Quest in Theory and Practice." The story reflects a number of Ballardian themes. Yesterday's Highbrow post featuring a mod and swinging Frank Sinatra stepping off a helicopter, drink in hand, is apt.  A recent back-channel message reminded me of this project.  I was also reminded of my intention (for some reason shifted to the back burner) to review the book, piece-by-piece, and post my impressions here.  Watch this space.

Meanwhile, here is the cover image followed by the publisher's description.  The cover image and the title of the book are linked to the sales page.  

Finally, there is an audio project related to the final piece in the book, “A Short History of Parking Structures” by Mark Soden, Jr., and which can be listened too HERE.
 

A tribute to the fictitious magazine Wave IX from J.G. Ballard's 1961 short story "Studio 5, The Stars." In the fictitious version of the magazine Ballard predicts the rise of machine generated poetry; and in this real-world version of Wave IX the current debacle over machine generated works is satirized, battled against, and disregarded with human generated works, tributes to Ballard, works inspired by the story, and more. Wave IX features a multigenerational cast of writers and artists from all over the world.

Featuring stories, poetry, and art from: Eugen Bacon, F.J. Bergmann, Michael Butterworth, Jacques Garnier, Jean-Paul L. Garnier, Carter Kaplan, Jardine Libaire, Jonathan Nevair, Charles Platt, Aaron Sheppard, & Mark Soden Jr.

This anthology is published by Space Cowboy Books, an award-winning brick and mortar bookstore in Joshua Tree, California, an independent publishing house, producer of Simultaneous Times podcast, and event space.

Tuesday, May 13, 2025

Highbrow Helicopterfest: #4 Hughes 300C

Frank Sinatra stepping off his Hughes 300, photo by Yule Brenner, 1964

Click HERE for the Hughes 269/300 story.

Click HERE for more Highbrow Helicopterfest action.

Saturday, May 10, 2025

Tonight: Tessa B. Dick on Ravenstar's Witching Hour with Solaris Blueraven

Beginning at midnight Eastern time, 9 P.M. Pacific time, on Revolution Radio Studio A.

Tessa B. Dick met Philip K. Dick in 1972 and assisted him with his writing. She edited and contributed to several of his works and co-authored his novel A Scanner Darkly. They married in 1973, and they remained friends after an amicable divorce in 1977. Mrs. Dick holds a master's degree in English literature and has taught English and Communications at Chapman University, National University and Riverside Community College. She retired in 2004 due to serious illness and now devotes her time to writing books, stories and poems. Her published works include  Philip K. Dick: Remembering Firebright; Conversations with Philip K. Dick; and the surrealist novel The Darkening of the Light. She has also contributed to the periodical PKD Otaku.

Tessa B. Dick is a regular contributor to Emanations

To access tonight's program, click HERE or listen over the phone: 518-737-0185


Update: Last night the program was experiencing technical difficulties and the interview was cancelled. Stay tuned to Highbrow for an announcement regarding a rescheduled program with Tessa B. Dick. 

Tuesday, May 6, 2025

Linguistic Backwash and Philosophical Turbulance: Here and Now

Meditation: Is the owl here now?  What could that mean?

Discussion questions: If, as Augustine says, the past exists only as a memory, where does the owl in this picture exist? Does it exist in the past? In the same sense, where did the picture of the owl exist, say before it was viewed today? The owl in the past and the picture of the owl in the past: are we speaking of two different places?  And where are such places?  Are these places memories as well?

A note on prepositions: Owl in the picture.  How is it in?  Is the preposition in a mere convention? It is almost as if we could use any preposition and the meaning would be the same; that is, the use of the preposition is a matter of convention. Almost.

And another note on prepositions: A picture of an owl. What could we possibly mean by picture of an owl in the past? We don't use this phrase; but we do sometimes date photographs, or we sometimes discuss when a photo was taken.  For example, "This picture was taken in Fall, when the owl is in its Red phase.  (Say this is a Screech Owl, which has seasonal Red and Gray phases in its coloring.) Note here, too, we have yet to explain of in this sentence, though we understand what is meant by of as a matter of usage. A negation using of brings sharper clarity to the convention: "This is not a picture of an armadillo."

And yet another note on prepositions:  Here and Now may be mere conventions, but, as a matter of proper and accurate usage, these conventions do have specific meanings. As subjects of philosophical and metaphysical inquiry, however, they lack the richness (and hence attractiveness) of the theological, mythological and poetic discussions of the issues which attend such words. We might say, "the linguistic analysis of such words rends the fabric of the space-time continuum, while the theological, mythic, and poetic discussions patch it back up and restore us to the stream-of-life."

Further discussion goes in all sorts of directions.  For now, suffice it to say that the stream-of-life is a good place to be though here we remain challeneged by philosophical credulity because of conceptual confusion rooted in language.

Sunday, May 4, 2025

Friday, May 2, 2025

"About The Acrostic Paradise Lost" by Terrance Lindall

Here is a note from Terrance Lindall describing his Acrostic Paradise Lost project.  Terrance developed the concept in consultation with Miltonist John Geraghty, and to document their discussions Terrance has prepared another book entitled John Geraghty: Surveying Mount Analogue.  After Terrance's note, Highbrow readers can view the two projects by clicking the cover images below.

About The Acrostic Paradise Lost

by

Terrance Lindall

 

There's an acrostic “Satan” in Paradise Lost 9.510-514:

 

     Scipio the highth of Rome. With tract oblique
     At first, as one who sought access, but feard
     To interrupt, side-long he works his way.
     As when a Ship by skilful Stearsman wrought
     Nigh Rivers mouth or Foreland, where the Wind

 

Acrostics in Milton’s poem have fascinated scholars, and I thought I might like to write another synopsized version of Paradise Lost in acrostic form that actually tells the story briefly. The idea was suggested by John Geraghty, a prominent collector of Milton books, art and ephemera.

 

I am just beginning the project that I hope I can present it during National Poetry Month next year. I will also present two first edition illustrated books of William Blake, plus many other remarkable illustrated books.

 

I do attempt things with Paradise Lost never done before. One was synopsizing it and then popularizing it in Heavy Metal Magazine. The synopsized book was on display in B. Dalton’s store window on 5th Avenue in mid-Manhattan and sold out. Another was the Gold Folio, and another was the Gold Scroll that reads like a Torah scroll (p.65). Then there was the Paradise Lost Costume ball in 2008 that got a major article in the New York Times. All were successful.

 

We [The Williamsburg Art and Historical Center] also have a major collection of Paradise Lost related materials, including first illustrated editions, an Elkington Shield that won a world fair award, etc.

 

These will be on display when I produce the show related to the acrostic.

Click the cover images to view the projects: