JS: There is a great deal of talk especially by hostile art critics that modern art is the equivalent of a fraud, that the artist is trying to put something over on the public. And although the public accepts modern art when incorporated into architecture, advertisements, posters, and even household articles, it still refuses to accept modern painting. What do think can be done to close this gap?
HM: Who occupies himself with that question? They are the painters and the critics. It began that way, criticized by everybody, but I didn’t bother myself about it. I said to myself, “when what I paint will be clearly expressed, everybody will understand.” I continued and I have been admitted.
|Le bonheur de vivre (The Joy of Life) 1905-06|
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